1937
La Habanera (digital quality)
La Habanera" (1937), directed by Douglas Sirk, is a lushly poetic and boldly modern musical drama decades ahead of its time. Set in Puerto Rico, where a Swedish woman named Astrée Sternhjelm becomes trapped in a loveless marriage to a cruel, wealthy landowner. The film explores themes of exoticism, cultural clashes, and the dangers of both physical and emotional isolation. It features a love triangle, a tropical fever outbreak, and compelling performances by Zarah Leander as Astrée and Ferdinand Marian as Don Pedro.
Douglas Sirk gilds La Habanera with all the dazzling compositions, swooping camera work, and ravishing but doomed characters that distinguish his revered 1950s Universal melodramas. Coolly precise yet extravagantly emotional, La Habanera is the work of an assured cinematic poet and compelling tragedian already at the peak of his skill.
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Olaf Moller's (film critic) commentaries
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The melodrama plot is, perhaps, just a touch too sketchy, but the handling of it is magnificent. This is a film of extremely subtle montage, aided by a flawless sense of framing, angle and composition. Sirk creates a stifling atmosphere with his dark rooms, without showing any sun, where the shadows of the blinds reflect on the heroine and give the viewer the strange feeling she is in jail. The only sparkle he gets is provided by a sequence in Sweden and, oddly, when the heroine tells her son about her country. Zara Leander is beautiful to watch. You may compare her to Marlene Dietrich and Greta Garbo and decide who is the better actress/singer. La Habanera is a slow Cuban dance similar to the Tango.
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