“Possibly most resonant about The Girl from the Marsh Court is the specificity of its rural and regional milieu: with its linked sausages hanging from the rafters in thick, coiled ropes; its square-cut fields of peat-moss bordering the farm in blocked rows; its shard-and-sharpened steel implements of scythes and shears framing the entranceways; and, otherwise, a (significantly) cooling pot of cream-and-potato soup laying calmly undisturbed at the end of a long bridal banquet table. All are as important to the film’s developing drama as plucking an “unsuitable” girl from a townsquare gathering of hopeful applicants, arriving late to a church service with a woman not one’s affianced, and eventually carriage-riding side-by-side in the happy ending through well-tended lands”. Zekefilm