Zu neuen Ufern (also known as To New Shores) is a 1937 German melodrama directed by Douglas Sirk (as Detlef Sierck), in which Swedish star Zarah Leander plays Gloria Vane, a cabaret singer in 19th-century London who is deported to an Australian prison after taking the blame for a crime committed by her aristocratic lover. The film features Leander's singing, which was central to her icon status, and showcases Sirk's early mastery of melodrama and visual style, blending songs with dialogue in a manner influenced by Brecht and Weill.