Uncle Krüger
1941

Uncle Krüger

Ohm Krüger (Original Title)

The most incendiary of National-socialist Germany's anti-British films, and one of the most audaciously cynical movies ever made. Conceived by Joseph Goebbels' Propaganda Ministry as a propagandistic blockbuster, this lavish production leaves no stone unturned in its bitter indictment of Great Britain, which at the time (early 1941) stood alone as Germany's wartime foe. In its historical re-enactment of the Second Boer War, Ohm Krüger depicts Britain as a relentlessly aggressive power, hell-bent on world domination; the film's remarkable set pieces feature a scotch-swilling Queen Victoria, a cruelly conniving Cecil Rhodes and a Winston Churchill look-alike who presides over a murderous concentration camp. On the Boer side stands saintly "Uncle" Krüger, portrayed as a model of simple dignity and unerring moral right by one of the world cinema's greatest actors, Emil Jannings. By far the most expensive film produced in Nazi Germany up to the time, Ohm Krüger offers plenty of "wild west" frontier grit alongside its vivid battle scenes, as though John Ford's Monument Valley had been transposed onto South Africa's Transvaal region. The shattering conclusion - a concentration camp massacre – provokes and disturbs even today, not only due to its undeniable artistry, but more because of how it invites comparison with the still greater horrors we associate with National-socialist Germany - atrocities this movie was designed to rationalize and exonerate.

Admin comments

It's a brilliant piece of film making. Emil Jannings plays a stout and resolute Kruger who fought as the head of his Boer people for the life of the two Boer Republics, his own Transvaal and the Orange Free State. Needless to say, Jannings' performance is monumental as indeed it is intended to be. The scene where he resists being bribed by Rhodes is especially effective. The cast is superlative. Gustaf Grundgens as Joseph Chamberlain, Ferdinand Marian as a sinister, white-suited Cecil Rhodes, and Otto Wernicke as the camp commandment. There is a very touching performance by Gisela Uhlen as Kruger's daughter-in-law.

The battle scenes and the scenes of the Boers mobilizing as a nation to fight tyranny from abroad are impressive from a technical standpoint. You'll find yourself asking how in the world they were able to film some of the massive battle scenes when they were deep into WW2!

Anti-English propaganda in the film is taken too far and I believe it was a mistake from a political perspective. Brits are presented as violent and exploitative, and enemies to civilization. You don’t depict your Arian brothers like that. By the way, the term concentration camps was invented and applied by the British in that war.

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