The Rothschilds’ Shares in Waterloo
1940

The Rothschilds’ Shares in Waterloo

Die Rothschilds - Aktien auf Waterloo (Original Title)

The Rothschilds was the first of three "stridently antisemitic" movies made in 1940 under the National Socialists. A purportedly historical account of the Rothschild family's rise to fortune, set mostly in Great Britain during the Napoleonic wars, the movie reflected a wildly ambitious racial-political agenda. Beyond its indictment of "Jewish" intrigue and avarice, The Rothschilds aimed to show the "Judafication" of British society at Rothschild hands, and thus demonstrate why, in Joseph Goebbels' words, Britons had become "the Jews among Aryans." Yet the film's dramatic conventions did not always mesh with its racial politics, and when the film was released in July 1940, German audiences were left unclear as to just who they were mainly supposed to hate. Goebbels had it pulled from distribution; a year later, a much-revised version, purged of any conceivable sympathies for its British characters, was released. The revamped movie was renamed The Rothschilds: Shares in Waterloo; this is the version presented here. But by the time of its re-release, the movie's moment had passed. Germany's air war with Britain was winding down to an inglorious end, while at home, a new, wildly popular film, Jud Süss, had become the regime's preferred vehicle for whipping up anti-Semitic feeling.

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Additional material
The House of Rothschild (1934)

Essay: Hitler's Dilemma: Anti-Jewish Propaganda in the Third Reich by John Rich

Historical Background Information

Documentation-Original Press Releases

Admin comments

Unfortunately, there is some truth (maybe a lot) in this portrayal of unscrupulous Jewish banking family. Terms like “ethics”, “national interests” are foreign to them. Just take a look at Goldman Saks’ dealings with China. This mostly Jewish run company would sell and buy USA 10 times on any given day. Watch the play “The Lehman Trilogy” on Broadway. Read about Sackler family and opioids. The main theme that all Jews are agents of Jerusalem is explicitly stated in the end. This is ridiculous. One can just look at Soros’s activities, whose main goal is destroying Israel. As a Jew I have to admit that Erich Ponto hit a slam dunk in his portrayal of a greedy Jewish money lender in a scene with the Prince of Hesse (first 5 min of the movie). You can also take a look at the portrayal of Mayer Rothschild in a 1934 Hollywood production (20th Century Pictures) titled “The House of Rothschild”. Could not be more anti-Semitic. No wonder, it was used in the German antisemitic propaganda film The Eternal Jew (1940).

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